Sara Christensen
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Forsiden af Bagsiden, Installation view
Med Sund Fornuft Skal Land Bygges, 2016, Goldbronze Varnish, Mdf, 76 x 126 cm
Med sund fornuft skal land bygges, 2016, goldbronze varnish, mdf, 76x 126 cm
Forsiden af bagsiden I/ The Front of the Back I, 2015/2016, gold bronze varnish, acrylic paint, mdf, 164 x 210 cm
Forsiden af bagsiden II/ The Front of the Back II, gold bronce vanish, acrylic paint, mdf, 170 x 235 cm
Forsiden af bagsiden III/ The Front of the Back III, gold bronze varnish, paint, mdf, 180 x 235cm
Forget Me kNot, 2016, Acrylic paint, mdf. 90 x 128 cm
Moving Assets, 2015-16, banana box, goldbronze varnish, mdf
Floating Voters, 2012 - 16, sweaters, raincoats, workwear
The Third Eye 2016 Metal plexi video
A Head, 2016, metall, lyd
Cultivation I, 2016, framed wheat, 72 x 72 cm
Cultivation II, 2016, framed wheat, 72 x 72 cm
Cultivation III 2016 Framed Wheat 72X72 Cm
Cultivation IV, 2016, framed wheat 47 x 47 cm
Cultivation V, 2016, framed wheat, 47 x 47 cm
Cultivation VI, 2016, framed wheat 47 x 47 cm
Cultivation VII, 2016, framed wheat 47 x 47 cm
Cultivation VIII 2016 framed wheat 47 x 47 cm
Site I, 2016, acrylic paint on mdf, 25 x 25 cm
Site II, 2016, acrylic paint on mdf, 25 x 25 cm
Site III, 2016, acrylic paint on mdf, 25 x 25 cm
Site IV, 2016, acrylic paint on mdf, 25 x 25 cm
Site V, 2016, acrylic paint on mdf, 25 x 25 cm

Short bio

Sara Christensen work with a variety of media, depending on the specific demands or requirements of each project. Her works often derive from experiences in everyday life. The physical materials she works with are chosen because they are interesting in terms of their potential for expansion and mutability. The artist attempt to question the universal and existential through the familiar, without looking for concrete answers and solutions. She generally feel challenged by composition; mostly due to the fact that the act of choosing something results in other options not being realized. Sara Christensen find the space between objects, both abstract and physical, intriguing, and it informs her work with its different combinations of materials, meaning and form. Most of her works have a humoristic angle, sometimes involving puns or wordplays, but with slightly uncomfortable undertones.